"Tom is Ultra-Talented and an amazing bass player." Ray Charles told me at several occasions. When we know the importance of the Bass in Ray's music, no wonder Tom was Ray's "Music Bone" for every performances of the "Genius", whether in the RC's Big Band, Trio, Quintet or with a Philharmonic Orchestra... To crown his Talent, Tom is a wonderful human being and friend." ~ Jean Pierre Grosz ~ (European Manager for Ray Charles)

Born 1951 Salt Lake City.Utah. Third son of Jazz Educater Dr. William L Fowler and English teacher and writer Beatrice Cottam Fowler. Grandson of Dr. Walter P Cottam, internationally known Botanist. Great grandson of Alfred Lambourne, famous Utah painter, studied violin from age 6. Added upright bass age 13. Added electric bass guitar age 16. Performed and recorded with: Ray Charles (for 10 years, started in 1993 and ended with Elton John duet on his last cd). He also recorded and toured with Frank Zappa. Tom Fowler’s history with Zappa goes all the way back to the early ‘70s, when he played with Frank for three years, along with his brother Bruce Fowler, in the pivotal band with George Duke and Jean-Luc Ponty. He played on Zappa classics like Over-Nite Sensation, Apostrophe, Roxy & Elsewhere, One Size Fits All and Bongo Fury.

Tom later play bass with Ray Charles for ten years, was the main bassist on “Genius Loves Company” and was the featured bassist in the movie “Ray.” . He also performed with The Fowler Brothers, "It's a Beautiful Day," George Duke, Sleepy Matsumoto, Hildegard Kneff, Bingo Mikki, Jean-Luc Ponty along many others (see Tom's full discography here). Tom also has been performing in all incarnations of the 'Banned From Utopia" (originally The Band From Utopia) and toured throughout Europe and North America, including performances with the Seattle and Portland Symphonies.

During the Great Depression of 1929, young Bill Fowler taught himself to play blues harmonica, dirt-band mandolin, Dixieland tenor banjo, and finally jazz guitar, ending up at age 17 in a Salt Lake City speakeasy trio. Still unable to read music at 21, Bill headed a Continental combo at Sun Valley, Idaho, Union Pacific's plush ski resort. In 1944, Bill married Beatrice Cottam, the daughter of University Botany Professor Dr. Walter P. Cottam. At 25, after induction into the U.S. Army during WWII, he put together a non-official battalion marching band, which upon landing in Marseilles, became a dance band/show group servicing ETO GI's. An exhausting attempt to write a parade arrangement of the French National Anthem soon convinced Bill of the wisdom of learning how to read music.

At war's end, Bill enrolled as a Music Major at the University of Utah. He studied there for seven years, broken only by intensive periods at the American Conservatory in Chicago, and at the Eastman School of Music. He studied composition with Leo Sowerby in Chicago and informally from Leroy Robertson in Salt Lake City. As Bill was pursuing his MFA and PhD degrees, Beatrice was caring for their growing musical aggregation, the five Fowler Brothers – Bruce, Steve, Tom, Walt, and Ed.

While beginning his twenty-year stint at the University of Utah, teaching subjects like 16th Century Counterpoint and Bach Chorale Harmony, Bill stayed active in classical composing – receiving a Rockefeller Foundation commission; winning the Siena International Choral Composition contest; and co-winning the American Division of the Prix Italia. He designed the first college Guitar Degree Program in the United States, which led to an invitation from Andres Segovia to study the Segovia techniques and teaching methods at the Accademia Musicale Chigiana in Siena, Italy.

While at the U. of Utah Bill headed combos around town; wrote and narrated a popular multi-media History of Jazz lecture; directed the Western Division of the National Stage Band Camps; and produced the Intermountain Jazz Festival and the clinics at the Mobile Festival. Along with C. Richard Evans, he co-invented the first Piezo-electric guitar pickup for Star Valley Electronics.

Unsatisfied with strictly traditional music theory and wanting to prepare students for the real world, Bill initiated the Jazz Major at the U of U. He designed a visiting faculty feature, inviting many great professional musicians from LA, NYC and elsewhere to come to the campus and teach week-long seminars. This approach proved highly productive for the students, and many went on to successful careers. The program was transferred in part to Westminster College in the mid 1970's.

Building on the diversity of his musical background, Bill opened a new career – writing –when he joined the staff of Down Beat magazine as Education Editor and regular columnist, a position he held some 13 years. He then joined the staff of Keyboard magazine as Theory Columnist for seven years. In 1974, Bill moved to the University of Colorado at Denver. The same year he formed his own publishing company, Fowler Music Enterprises, which produced more than 22 of his books. After retiring from the University of Colorado in 1994, Bill moved to Los Angeles, where he continued to compose in a variety of styles, from symphonic works to popular songs.

The Fowler Brothers are the sons of music educator William Fowler. They are extremely versatile musicians who have collectively appeared on a huge number of albums for a very wide array of artists. Brothers Bruce (trombone), Tom (bass) and Walt (trumpet) may be the best known of the family, having played with Frank Zappa on a number of albums and tours. The other brothers are Steve (sax, flute) and Ed (bass, keyboards). While they only recorded one official album as The Fowler Brothers, the same essential group has released an album under the name Air Pocket, and under the individual names of the brothers.

Other frequent members of the band are Albert Wing and Kurt McGettrick (Zappa), Mike Miller (Chick Corea Elektrik Band) and Chester Thompson (Genesis, Zappa).